Grace's journey into photography is deeply rooted in nostalgia, sparked by the wedding negatives of her grandparents from the 1960s. This initial intrigue compelled her to invest in her first camera, an Ilford Sprite 35-II, marking a significant turning point in her pursuit of creativity. Based in Melbourne, Victoria, she works primarily with digital and film photography, alongside her explorations in painting and sculpture.
Grace has formal training in photography, having completed a Certificate IV in Photography in 2023 and currently pursuing a Diploma in Photography in 2024. Over the years, she has honed her skills by embracing both traditional and experimental techniques while broadening her subject matter. Her focus is on fashion, commercial, product, and editorial/fine art photography.
In her fashion and editorial portraits, Grace strives to encapsulate the elegance and dynamism of her subjects. She favours outdoor settings enhanced by gel flash for dramatic contrasts, alongside stylised sessions in the studio. Her conceptual and experimental photography delves into themes such as water, childhood memories, and whimsical storytelling, often featuring constructed backdrops and carefully curated compositions.
The fusion of darkroom and digital techniques is a hallmark of Grace's work. From darkroom prints and solarised images to inventive product photography, she bridges the gap between traditional craftsmanship and innovative exploration. This blend not only enriches the narrative within her work but also showcases a diverse visual language.
Grace's artistic goals include expressing her creativity, building a professional brand, developing a client list within the fashion and luxury product community, and satisfying her clients. Personal stories and memories are integral to her artistic expression. She utilises conceptual backdrops to convey emotional depth in her imagery. Her focus on natural light and simplicity creates serene atmospheres, while the incorporation of vibrant constructed scenes adds a striking contrast. By simulating film characteristics digitally, she evokes a sense of nostalgia, accentuating the aesthetic with subtle grain, muted colours, and intentional imperfections.
